Remo Pinstripe Coated review: the warm, controlled tom batter that defined 70s and 80s rock
An editorial review of the Remo Pinstripe Coated drumhead. Double-ply with internal damping ring, warm and controlled tom voicing, the dry rock-tom sound on countless 70s and 80s records. Spec, tone, famous records, and where it sits versus Evans G2 and Hydraulic Black.
Reviewed by the Change Your Strings editorial team ·
The Remo Pinstripe Coated is the dry, warm, controlled tom batter that defined 70s and 80s rock production. Double-ply 7+7 mil Mylar with an internal black-film damping ring bonded between the plies near the perimeter, available in 6 to 18 inch diameters. The damping ring kills excess overtones and shortens sustain, which is exactly what dense rock-band mixes want from toms. Pick it when you want pre-controlled, dry, focused tom voicing without external damping like moongels or O-rings.
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What it is, in one paragraph
The Remo Pinstripe Coated is a double-ply 7+7 mil Mylar tom batter with an internal black-film damping ring bonded between the plies near the perimeter, available in 6 to 18 inch diameters. The damping ring is the defining feature, it shortens sustain and controls overtones internally, delivering a dry, focused, pre-controlled tom sound that defined 70s and 80s rock production. Pick it when you want the era's tom voice without the moonbag-and-tape ritual that single-ply heads require to achieve the same controlled voicing.
Why this head dominated the 80s rock-tom sound
Three things made Pinstripe the era's default:
- The damping ring matches the production aesthetic. Dense 80s rock mixes wanted controlled tom sounds that didn't bloom into the next note. The pinstripe ring delivers that out of the box, no need to tape moonbags onto every tom for a producer to get a usable take.
- Double-ply construction holds tuning under hard rock hitting. A single-ply Ambassador can lose tension consistency under aggressive rim-shot tom work; the double-ply Pinstripe stays in tune longer through tracking sessions and tours.
- The pre-damping eliminated post-tracking ritual. Engineers in the era spent hours taping and moonbagging single-ply tom heads to achieve usable tom sound. Pinstripe gave producers the dry sound out of the box, which is part of why the head's adoption curve in the late 70s into early 80s was so steep.
Tone and feel
Voicing on a 12-inch or 13-inch rack tom
- Attack
- Defined, focused. Double-ply gives a clearer transient than single-ply at the same gauge; the damping ring keeps the attack from blooming into sustain.
- Sustain
- Short, controlled. The pinstripe ring shortens decay by roughly 30-40 percent vs an undamped double-ply head. Toms play dry without external damping.
- Body
- Warm midrange, controlled. Pre-damped voicing means the tom sits in a band mix without producer-side EQ surgery to control overtones.
- Tuning range
- Wide. The head tunes up cleanly to 80s pop-rock pitches and down to thicker 70s rock pitches without losing its damped voice.
- Stick feel
- Slightly stiffer than single-ply. The double-ply construction adds rebound mass; players with light touch may prefer single-ply, hard hitters generally prefer the double-ply feel.
Where it sits in the rock-tom lineup
| Remo Pinstripe Coated | Evans G2 Coated | Evans Hydraulic Black | Remo Coated Emperor | |
|---|---|---|---|---|
| Construction | Double-ply with internal pinstripe damping ring | Double-ply, no internal damping | Double-ply with oil-filled damping layer | Double-ply, no internal damping |
| Sustain | Short, controlled | Medium-long, open | Very short, ultra-wet | Medium-long, open |
| Voicing | Dry, focused, warm | Open, warm, slightly more resonant | Wet, ultra-controlled, 70s Bonham | Open, warm, slightly more articulate |
| Best for | 80s rock toms, controlled rock | Modern rock with more openness | 70s rock recreations, very wet sounds | Hard-hitting rock, slightly more attack |
Pinstripe Coated is the controlled rock-tom default. Evans G2 Coated is the closest direct competitor with slightly more openness. Hydraulic Black is the wet/dry extreme, the 70s Bonham era sound. Remo Coated Emperor is the same brand's slightly more open double-ply alternative. Pick Pinstripe for controlled-but-not-dead 80s rock; pick the others for their specific tonal advantage.
Famous records this head is on
A short list of records where Pinstripe Coated is documented or strongly attributed for the tom voice:
- The Police: Synchronicity (1983) and surrounding catalog. Stewart Copeland's documented Pinstripe use.
- Phil Collins: Genesis catalog of the era and solo work. Pinstripe as the era's tom voice.
- 80s rock production catalog broadly: the Pinstripe-on-Coated-Ambassador-on-Powerstroke 3 batter combo is the canonical 80s rock tom + snare + kick rig.
For the full catalog of artists with documented Pinstripe use, see Remo's artist roster.
Verdict and the affiliate hook
If you want the 80s rock-tom sound without a moonbag-and-tape ritual on every drum, the Remo Pinstripe Coated is the answer. The internal damping ring delivers controlled, focused, dry tom voicing out of the box, the head every studio engineer reaches for when a producer asks for "that 80s tom sound." For modern rock with more openness, step to Evans G2 Coated; for the 70s wet sound, step to Hydraulic Black; for hard-hitting modern rock with maximum durability, step to Coated Emperor. The Pinstripe is the controlled-rock-tom default.

Pinstripe Coated 12-inch Tom Batter
Why this one: The controlled, dry rock-tom voice of countless 70s and 80s records. The internal pinstripe ring pre-damps the head, so the toms sit tight in a mix without external muffling.
Drummers documented using this drum head
Each drummer profile cites this product in their stick / head / cymbal / kit frontmatter. Click through for the full editorial profile + sourcing.
Phil Collins
Genesis
Phil Collins drummed in Genesis from 1970 through 1996 and continues solo + Genesis reunion work. Pearl signature kit, gated reverb invention, the 80s rock-tom sound that producer Hugh Padgham codified on 'In the Air Tonight'.
Stewart Copeland
The Police
Stewart Copeland anchored The Police from 1977 through 1986, then moved into a substantial film + TV scoring career. Tama signature kit, Paiste cymbal partnership, Vater Stewart Copeland Standard signature stick. The reggae-into-rock pocket that made The Police's catalog.