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La Bella 0760M Deep Talkin' Bass Originals (.052–.110): the Jamerson set

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La Bella 0760M Deep Talkin' Bass Originals (.052–.110), known as the 1954 Original or the Jamerson set, is the heavy-gauge flatwound that defines the Motown bass sound. Thumpy, warm, dark, and low-top-end, the opposite of a Rotosound. La Bella's product page credits it as the set behind Motown's 1960s gold records. Pick it for Motown, soul, R&B, reggae, and any gig where you want the bass to sit deep instead of cut through.

Anatomy

Model
La Bella 0760M Deep Talkin' Bass Originals
Variant
0760M is the 4-string cut; also sold in 5- and 6-string counts. Long-scale (34") fit only, no short-scale cut
Gauge
.052 – .110 (heavy)
Gauge set
.052, .073, .095, .110
String count
4 strings
Core wire
Steel
Wrap wire
Stainless steel flatwound (polished flat ribbon)
Plain strings
None, all four strings are wound
Coating
None, uncoated
Intended scale
Long (34") only; La Bella's short-scale flatwound options are separate SKUs (e.g. 760FM-S)
Intended tunings
Bass E standard primary
Tension
Very high; .110 E string is significantly heavier than a standard .105 round
Launched
Deep Talkin' line dates to the 1950s; this gauge is marketed as the '1954 Original,' the Jamerson reference set
Package
Single pack

Construction

Core wire
Steel.
Wrap wire
Stainless steel flatwound, polished flat ribbon instead of round wire, which kills top-end and string noise.
Plain strings
None, all four strings are wound.
Coating
None.
Scale
Long (34") only. La Bella's short-scale flatwound options, like the 760FM-S, are separate SKUs.

Tone

Flatwound is a different instrument from roundwound. The Deep Talkin' Flats have almost no high-end sizzle, no finger squeak, no pick attack, no slap snap. What you get instead is enormous low-mid fundamental and the thump that Motown, Stax, and jazz records rode for four decades. The .110 E string is a cannon.

Compared to other common bass sets:

La Bella 0760M FlatsRotosound Swing Bass 66D'Addario XL Nickel
Wrap materialStainless flatStainless roundNickel-plated round
Brightness2/109/106/10
TensionVery highMediumMedium
Best forMotown, soul, vintageRock, prog, slapSession, versatile
Price tier$$$$$$$

Best for

  • Motown and soul: the Jamerson pocket. No other set sits the way flats do.
  • Vintage R&B: Stax, Muscle Shoals, early Philly.
  • Reggae and dub: with the tone knob rolled back, flats deliver the dub "boom."
  • Jazz fingerstyle: dark upright-adjacent tone on a fretless or fretted P-bass.
  • Studio session work where the producer wants "old" bass.

Worst for

  • Slap funk: no top-end snap. Use rounds.
  • Modern rock and metal: too warm, not enough definition under distortion.
  • Pick-attack-forward rock: the attack gets buried.
  • Beginners: the heavy .110 E string is physically harder to play than a .100 or .105 round. Start on rounds and graduate to flats.

Who plays them

  • James Jamerson: the defining Motown bass tone. La Bella's own product page credits the 0760M as the set behind "virtually every Motown gold record in the 1960s," and Fender's James Jamerson tribute bass ships with "La Bella flatwound strings, just like the ones he used."
  • Donald "Duck" Dunn: La Bella names Dunn directly on the 0760M product page as a player of the same strings across his Stax sessions with Otis Redding and Booker T. & the M.G.'s.
  • Chuck Rainey: a listed La Bella artist (the brand's own roster today centers on a nickel roundwound model); Bass Player Magazine's flatwound roundup names him alongside Jamerson, Jerry Jemmott, and Duck Dunn as a player of La Bella's Original 1954 Vintage flatwound set, the direct ancestor of the 0760M. A MusicRadar career retrospective separately documents flatwounds on his vintage P-Basses through the Aretha Franklin and early Steely Dan sessions, before he added Smith and D'Addario roundwounds to his rotation.
  • Paul McCartney: used flats on the Höfner for most of the Beatles catalog (Pyramid flats, a close cousin), though the Rickenbacker often took rounds.

Install and break-in

  1. Loosen all strings evenly before removing. Flats hold tension harder than rounds; don't shock the neck.
  2. Wipe the fretboard clean, flats trap less grime than rounds, so start clean.
  3. Install E first (heaviest), then A, D, G. Three wraps per post.
  4. Stretching: flats need less stretching than rounds. Tune, stretch once at the 12th, retune, done.
  5. Break-in: 1–3 gigs of playing before the top end rolls off fully into the mature Deep Talkin' tone.

Verdict

If you want the Motown sound, there is one answer: La Bella's 0760M Deep Talkin' Bass Originals, the .052–.110 heavy-gauge "1954 Original" set. No substitute does the pocket the same way. It's not a beginner set, the tension is high and the tone is an acquired taste, but for vintage R&B, soul, and deep-pocket fingerstyle, nothing else competes.

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