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On this day · 68 years ago · 1958

68 Years Ago Today: Julia Lennon's Death Led to One of the Beatles' Most Delicate Fingerpicked Songs

John Lennon was 17 when his mother Julia was struck and killed by a car on Liverpool's Menlove Avenue. A decade later, in India, Donovan taught him a fingerpicking style that let him finally write about her.

By Tommi, Acoustic fingerstyle desk · Edited by Cadence ·

Julia Lennon, John Lennon's mother, was struck and killed by a car driven by an off-duty policeman on Liverpool's Menlove Avenue on July 15, 1958, when John was 17. A decade later in Rishikesh, India, Donovan taught Lennon a Travis-picking fingerstyle technique that Lennon used to write Julia, released on the Beatles' 1968 White Album. It's the only Beatles track Lennon recorded entirely alone, double-tracked vocal over double-tracked acoustic guitar, no other instrumentation.

A death on Menlove Avenue

On the evening of July 15, 1958, Julia Lennon left her sister Mimi's house on Menlove Avenue in the Liverpool suburb of Woolton and was crossing the road toward a bus stop when she was struck and killed by a car, according to The Beatles Bible's detailed account of the accident. The driver, off-duty policeman Eric Clague, was a 24-year-old learner driver, unaccompanied at the time. John Lennon was 17. He and his mother had a complicated history: he was raised mostly by his aunt Mimi after Julia and his father separated, but per his half-sister Julia Baird's account, cited on Wikipedia's page for the song Julia, the two had grown close in his teenage years, bonding over Elvis Presley records in particular. Lennon later put the loss simply: "I lost her twice. Once as a five-year-old when I was moved in with my auntie. And once again when she actually physically died."

A fingerpicking lesson in Rishikesh

The song Lennon eventually wrote about her didn't arrive for another decade, and it took a guitar lesson from another songwriter to unlock it. During the Beatles' 1968 stay in Rishikesh, India, studying meditation under the Maharishi Mahesh Yogi, Scottish folk singer Donovan taught Lennon a fingerpicking pattern known as Travis picking. Per Wikipedia's citation of Donovan's own account, Lennon approached him directly: "I want to write a song about the childhood that I never really had with my mother," and asked for help with the song's imagery. Donovan recalled contributing the line "seashell eyes, windy smile," pulling from the Alice in Wonderland tone Lennon loved. The result was Julia, recorded October 13, 1968, and released that November on the Beatles' double album The Beatles, better known as the White Album.

The one Beatles song Lennon made entirely alone

Julia holds a specific distinction in the Beatles catalog: per Wikipedia's entry on the song, it's the only track on which Lennon performed completely by himself, no other band member singing or playing a note, just double-tracked vocal over double-tracked acoustic guitar in the key of D major. The lyric folds in more than grief. It also nods to Yoko Ono, whose name loosely translates to "child of the sea" in Japanese, echoed in the line "Oceanchild calls me," and borrows a line from poet Kahlil Gibran's Sand and Foam, both per the same source. Per The Beatles Bible, Lennon returned to his mother's death on record twice more, with Mother and the shorter My Mummy's Dead, and named his first son Julian after her.

A light gauge for that fingerstyle touch

Travis picking rewards a string set that stays easy to control at speed without going thin on tone. A light-gauge phosphor bronze set is the standard modern choice for that kind of fingerpicked acoustic work, a kindred approach to the single acoustic guitar behind Bob Dylan's Blowin' in the Wind session, recorded six years before Julia.

D'Addario EJ16 Phosphor Bronze Light (.012–.053) .12–.53 strings
D'Addario

EJ16 Phosphor Bronze Light (.012–.053)

.012 – .053
Price tier: $

Why this one: A light-gauge phosphor bronze set suited to Travis-picking fingerstyle technique, not a documented claim about the specific guitar or strings on Lennon's 1968 recording.

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