Pete Townshend's guitar strings: The Who rhythm-and-windmill rig, sourced
Documented string gauges, brands, and tunings Pete Townshend uses with The Who. Light-to-medium gauge strings + Schecter signature Telecaster + various Gibson and Fender catalog instruments. With citations.
The Who / Solo · reviewed by the Change Your Strings editorial team ·
Pete Townshend uses light-to-medium-gauge electric strings (specific gauges and brands documented variably across his career) on his Schecter Pete Townshend Signature Telecaster and various Gibson Les Paul Deluxe / Les Paul Custom instruments. Standard E tuning across The Who catalog. The defining power-chord-and-windmill rhythm-guitar voice of British rock from *My Generation* (1965) through *Quadrophenia* (1973) and onward. Townshend's stage destruction of his Rickenbacker and SG instruments across 1960s Who shows is one of the most-iconic rock-stage images of the era.
At a glance
Role
Active
Based
Affiliations
Notable credits
- The Who, My Generation (1965)
- The Who Sell Out (1967)
- Tommy (1969, rock opera)
- Who's Next (1971)
- Quadrophenia (1973, rock opera)
- Who Are You (1978)
- Empty Glass (1980, solo)
Official media
Who Pete Townshend is
Peter Dennis Blandford "Pete" Townshend (born May 19, 1945, London) is the founding guitarist + primary songwriter of The Who, the London-formed rock band whose 1965-1980s catalog includes some of the most-cited rock records of the era: My Generation (1965), The Who Sell Out (1967), Tommy (1969), Who's Next (1971), Quadrophenia (1973), and onward. The two rock operas (Tommy and Quadrophenia) are foundational to the rock-opera form, and Townshend's writing and arranging across them defined what rock could do as a long-form narrative format.
His stage destruction of guitars across the 1960s Who shows is one of the most-iconic rock-stage images of the era. The windmill strum technique (full-circle right-arm spin with the back-of-the-hand strum) is the signature stage move that defined his physical performance.
What he plays
The Schecter Pete Townshend Signature Telecaster is his contemporary signature instrument. Across his career he's played Rickenbacker 6-strings and 12-strings (early Who era, the My Generation and The Who Sell Out sessions), Gibson SG Special (mid-1960s Who, the famously-destroyed-on-stage instrument), Gibson Les Paul Deluxe (1970s Who, the Quadrophenia and Who Are You era), and various Fender Telecaster modifications.
For strings, light-to-medium gauge nickel-wound electric, .010-.046 territory. Standard E tuning. His signal chain into Hiwatt 100-watt tube amps drives the canonical Who-era saturation. The Hiwatt brand became Townshend's signature amplifier across the 1970s; Hiwatt produced a specific model voiced for his preference.
Why this fits the rig
The power-chord rhythm-guitar voice that defines The Who depends on saturated tube amplification at high volume (the early Who's volumes were among the loudest documented stage volumes of the 1960s; the band held the Guinness World Record for loudest concert in 1976). Light-to-medium gauge strings into the Hiwatt-tube saturation produce the harmonic-rich, slightly compressed rhythm tone that's the foundation of tracks like 'Won't Get Fooled Again' (1971), 'Baba O'Riley' (1971), and 'Who Are You' (1978).
The Telecaster's bridge pickup voicing (bright, articulate, slightly compressed under saturation) suits the windmill-strum-into-Hiwatt configuration. The Les Paul Deluxe of his 1970s era produced a warmer alternative; Townshend rotated between Tele and Les Paul depending on the song's tonal needs.
If you want this rig
The Schecter Pete Townshend Signature Telecaster is in current production. Light-to-medium gauge .010-.046 nickel-wound strings into a Hiwatt or Hiwatt-style tube amp at high saturation gets you in the territory.